Fujifilm

Fujifilm GFX 100S II

Ranked #13 in Mirrorless Cameras

420 LP on the category ladder what's LP?

dpreview's image-quality and landscape champion, and medium format glass and bodies hold their relevance longer than anything else here. It ranks low among the picks because the GFX line is niche, with slower service paths and a smaller support network than the full-frame giants.

Consolidated from 9 cited sources across 8 outlets

Where the cited sources landed, as we read them

1 enthusiastic source
1 positive source
1 mixed source

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Pros & cons

✓ Image-quality champion
✓ Landscape champion
✓ Medium format holds relevance longer
✓ Best camera for landscapes in medium-format category
✓ Serves as value and refinement benchmark for medium-format

✗ Niche service and repair paths, smaller support network

The sources behind this ranking

We searched the web and YouTube for what has been published about this product, then read the articles, video transcripts and comments we found. 5 outlets wouldn't let us check their links.

Evidence 7 articles, 1 video review and 1 community source

1 enthusiastic source

Space Article · Dec 2025

We tested the Fujifilm GFX 100S II in a range of places and for different styles of photography.

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1 positive source

Medium Article

The GFX 100S II packs a 102-megapixel large format sensor into a body that is shockingly similar in size to a full-frame DSLR. The dynamic range is the real story here. I can pull details out of shadows that would be pure black on smaller sensors. The color science combined with the pixel density creates a “medium format look” — a three-dimensionality and shallow depth of field that is hard to quantify but easy to see. It also features 5-axis In-Body Image Stabilization (IBIS) rated for up to 8 stops. When you are shooting 100 megapixels, camera shake is your enemy. This IBIS allows me to handhold shots at slower shutter speeds than I ever thought possible with a sensor this large.

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1 mixed source

The Phoblographer Chris Gampat · reviewer · Jul 2026

The previous work that I’ve done where I’ve actively documented people moving around is where the GFX 100S II might’ve really improved. But I didn’t do any of that work recently. For posed portraits, which are indeed a major part of photojournalism , I think it does a great job. Is it enough to justify the size, weight, cost, and the huge RAW files? I don’t quite believe so.

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