Shure SM58
The durability king, ranked above several picks on pure ownership, but a handheld stage design is the wrong shape for podcasting and streaming, so buy the PodMic instead.
Consolidated from 2 independent outlets
See the sources4 of 12 research runs entered this as a product to avoid rather than a pick.
It is a handheld stage mic with a ball grille, the wrong shape for close-mic desk work, where a fixed broadcast design such as the Rode PodMic is favored; buyers cross-shop it on reputation alone.
Flagged 23 September 2026
Pros & cons
- ✓ The most reliable microphone ever built
- ✓ Benchmark for pure reliability and durability
- ✓ Still works beautifully after years of abuse
- ✓ Excellent for vocal performance on stage
- ✓ A famous Shure vocal mic with a genuine stage legend behind it
- ✗ Handheld stage design with a ball grille, poorly suited to close-mic desk work
- ✗ Grille design awkward for desk use
- ✗ Tuned for hostile stages, not treated rooms
- ✗ Outclassed by cheaper podcast dynamics
- ✗ A handheld stage mic that needs substantial gain
The sources behind this ranking
We searched the web and YouTube for what has been published about this product, then read the articles, video transcripts and comments we found. 1 outlet wouldn't let us check its link.
1 stance not read source
Frequently asked questions
It ranks #6 of 18 on our XLR microphones tier list, in B tier. That placement draws on 2 independent outlets.
Handheld stage design with a ball grille, poorly suited to close-mic desk work. Grille design awkward for desk use. Tuned for hostile stages, not treated rooms. Outclassed by cheaper podcast dynamics. A handheld stage mic that needs substantial gain.
Ranked nearby in XLR Microphones
S tier #1 Rode NT1
A tier #2 Shure SM57
A tier #3 Rode PodMic
A tier #4 Electro-Voice RE20
A tier #5 Shure SM7dB
B tier #7 6 of 12 research runs entered this as a product to avoid rather than a pick. Shure SM7B
B tier #8 512 Audio Limelight
B tier #9 Beyerdynamic M70 Pro X
B tier #10 512 Audio Skylight
C tier #11